This work explores my personal view of life within suburban spaces, suburbia being the middle ground between the city and nature and the public and private, the space in between.
Paper is central to my art practice. I make use of it as my primary medium whether it is cut, embossed or folded. This choice of medium refers to the fragility of the suburban ideal and our whimsical notions of perfection and achievement within a societal structure. The more the paper is cut into, the more fragile it becomes.
Pattern is a logical outcome of paper. The two dimensionality of cut paper lends itself to patterning, which I employ as a device for referencing the surfaces of the spaces around me. When patterned foliage, barbed wire, concrete and decorative wall surfaces all begin to speak a common visual language and reference the many facades we create between ourselves (the individual) and the outside world.
Obsession is related to the repetitive nature of the paper-cutting process. The obsessive cutting of the repetitive patterns in my work alludes to the need to control my (our) environment. In order to protect the idea of suburbia we have had to employ extensive security measures, which shut ‘reality’ out.
The cut paper surface alludes to facades, whether real or imagined, that we erect in order to protect our notion of an ideal life.